written by Mfoniso Udofia
directed by Victor Malana Maog
This season American Conservatory Theater is producing the Fourth play in Udofia's Ufot Family Cycle, Her Portmanteau, which is the perfect precursor for In Old Age.
Traveling from Lagos to visit her mother and American-born sister for the first time in two decades, thirtysomething Iniabasi arrives to a snowy landscape, and even chillier truths inside a small Manhattan apartment. As Nigerian traditions clash with American realities, the family is forced to confront its literal and emotional baggage and its painful legacies across language, continents, and cultures.
named one of American Theatre Magazine’s “People to Watch”, makes his Magic Theater debut. He recently directed Mfoniso Udofia’s
Her Portmanteau at A.C.T. He also has directed and developed work at The Public Theater, Williamstown Theater Festival, Hartford Stage, Signature Theatre Company, Mabou Mines, Drury Lane Theatre, 2g, The Lark, New Dramatists, ABC/Disney, and large-scale stage shows, live events, and spectaculars at Disney Parks Live Entertainment. Upcoming: Macbeth at Cal Shakes. Maog first gained notice in 2004, when he was one of six directors in the nation to receive the NEA/TCG Career Development Program. He has also been awarded the Van Lier Directing Fellowship at Second Stage, Altvater Fellowship at Cornerstone Theatre Company, and the Presidential Award with the Theatre Arts Project, and was recently chosen as an inaugural TCG SPARK Leader, spotlighting rising arts executives. B.A. in Global Leadership and Performance Studies - NYU/Gallatin. www.victormaog.com
Steven Anthony Jones was the Artistic Director of the Lorraine Hansberry Theatre, the premiere African-American Theatre Company in the San Francisco Bay Area. He directed Philip Kan Gotanda's After the War Blues for the UC Berkeley Dept. of Theatre, Dance and Performance Studies. He has worked professionally on stage, television and in film for 42 years. He has performed in the works of August Wilson, (Charles) Fuller, Fugard, Stoppard, Gotonda, Becket, Pinter, Moliere, Shakespeare, Chekhov and others. He was in the original cast of A Soldier’s Play, produced by the Negro Ensemble Company, which won an Obie Award for ensemble acting and the Pulitzer Prize for best drama. He performed, taught and directed at the American Conservatory Theater for 22 years as a member of the core acting company. His many film and television credits include two seasons of Midnight Caller and a recurring role on the NBC series Trauma. Mr. Jones received his early theatre training at Karamu House in his hometown of Cleveland, Ohio. Other experience includes the Cleveland Playhouse, Berkeley Rep, San Jose Rep, and San Francisco Shakespeare Festival.
When Azell Abernathy, a seasoned repairman,
arrives at the home of Abasiama Ufot to redo the floors of her dilapidated New England home, he is surprised to be met with stubborn resistance. The two clash, challenge each other, and eventually form an unlikely spiritual connection as they teach each other the true
nature of forgiveness and love.
In Old Age is the fifth installment of Udofia’s Ufot family cycle, offers a purge and a peacemaking; frenzy and faith.
a first-generation Nigerian-American storyteller and educator, attended Wellesley College and obtained her MFA in Acting from the American Conservatory Theater. During her stay in the Bay, she co-pioneered a youth initiative, The Nia Project, providing artistic outlets for youth residing in Bayview / Hunter’s Point.
In January 2016 Playwrights Realm produced the world premiere of Sojourners, the origin story of the Ufot Family Cycle. In Spring 2016, The Magic Theatre in San Francisco produced the west coast premiere of Sojourners and the world premiere of the third installation in the Ufot Family Cycle, runboyun, in repertory. New York Theatre Workshop produced the New York City return of Sojourners in Spring 2017, which ran in repertory with the world premiere of Her Portmanteau, which was previously developed in 2015 at the National Black Theatre. She’s the recipient of the 2017 Helen Merrill Playwright Award and the 2017-2018 McKnight National Residency and Commission at The Playwrights’ Center in Minneapolis. Her Ufot Cycle play, Her Portmanteau, will be produced Feb 15–Mar 31 at A.C.T.’s Strand Theater, and was recently produced at Pasadena’s Boston Court Performing Arts Center.
Mfoniso is also currently at work on a commission from the Oregon Shakespeare Festival, translating Shakespeare’s Othello, through their Play On! program. Mfoniso’s plays have been developed at and/or presented/produced by The New York Theatre Workshop, The Playwrights Realm, The Magic Theatre, Dr. Barbara Ann Teer’s National Black Theatre, Hedgebrook, Sundance Theatre Lab, NNPN, Space on Ryder Farm, NNPN New Play Showcase, Makehouse, Soul Productions, terraNOVA, I73, The New Black Fest, Rising Circle’s INKTank, At Hand Theatre Company, The Standard Collective, American Slavery Project, Liberation Theatre Company, and more. Mfoniso was a finalist for the 2015 PoNY Prize, the Eugene O’Neill NPC, Bay Area Playwrights Festival, Many Voices Fellowship, Page73 Development Programs, Jerome Fellowship, New York Theatre Workshop’s 20/50 Fellowship, and Lark Playwrights’ Week. Follow her at @mfudofia or visit www.mfonisoudofia.com.
Is a Haitian American actorvist whose roots lie in performance art and social justice. She performed at The Williams Project, The Public Theatre, Lookingglass Theatre, Goodman Theatre, Steppenwolf Theatre, Chicago Dramatists, Writer’s Theatre and Chicago Shakespeare Theatre Company. She received a Helen Hayes nomination for Best Actress in The Convert at The Woolly Mammoth Theatre and the Philadelphia Critic’s Choice Award for Best Actress for the same production at the Wilma Theatre in Philadelphia.For more information about Nancy visit one of her nifty websites: http://nmoricette.wixsite.com/nancymoricette, www.asepowerconsult.com.
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