written by Taylor Mac
September 15: Chapter I (1776-1836)
September 17: Chapter II (1836-1896)
September 22: Chapter III (1896-1956)
September 24: Chapter IV (1956-the present)
Presented by Curran and Stanford Live
In association with Magic Theatre and Pomegranate Arts
West Coast Premiere
A 24-Decade History of Popular Music is Mac’s multi-year effort to chart a subjective history of the United States through 246 songs that were popular throughout the country, and in its disparate communities, from 1776 to the present day. In performing the work, Mac is joined by an orchestra—led by Music Director Matt Ray, who created new arrangements of all 246 songs—plus an ensemble of “Dandy Minions” and a variety of local special guests, including members of the audience cast as colonial needleworkers, World War I soldiers and Yum Yum from The Mikado. Costume designer Machine Dazzle, a longtime Mac collaborator, has handmade an outrageously imaginative, world-unto-itself costume specific to each decade.
A 24-Decade History of Popular Music recently won the 2017 Edward M. Kennedy Award for Drama inspired by American History and was a 2017 Pulitzer Prize Finalist for Drama, in addition to being included on an unprecedented three New York Times “Best of…” lists in 2016: Performance, Theater and Classical Music.
A 24-Decade History of Popular Music will be presented over four nights at Curran Theater (445 Geary Street, San Francisco, CA 94102).
· Friday, September 15 at 5pm (Chapter 1: 1776-1836): The American Revolution from the perspective of the yankee doodle dandy, the early woman’s lib movement, an epic battle between drinking songs and early temperance songs, a dream sequence where the audience is blindfolded and the heteronormative narrative as colonization.
· Sunday, September 17 at 2pm (Chapter II: 1836-1896): Walt Whitman and Stephen Foster go head to head for the title of Father of the American Song, culminating in the queerest Civil War Reenactment in history. Oh, and: a production of The Mikado set on Mars.
· Friday, September 22 at 5pm (Chapter III: 1896-1956): A Jewish tenement, a WWI trench, a speakeasy, a depression, a zoot suit riot all make the white people flee the cities.
· Sunday, September 24 at 2pm (Chapter IV: 1956-the present): Bayard Rustin’s March on Washington leads to a queer riot, sexual deviance as revolution, radical lesbians, and a community building itself while under siege.
Magic subscribers get one ticket (per subscription) to one of these six-hour performances.
A 24-Decade History of Popular Music is Created, Written, Performed and Co-Directed by Taylor Mac, with Co-Direction by Niegel Smith, Music Direction & Arrangements by Matt Ray, Costume Design by Machine Dazzle, Dramaturgy by Jocelyn Clarke, Scenic Design by Mimi Lien, and Lighting Design by John Torres. A 24-Decade History of Popular Music is produced by Pomegranate Arts and Mac’s company Nature’s Darlings.
Taylor Mac (who uses “judy”, lowercase sic, not as a name but as a gender pronoun) is a playwright, actor, singer-songwriter, performance artist, director and producer. “A critical darling of the New York scene” (New York Magazine), judy’s work has been performed at New York City’s Lincoln Center, The Public Theatre and Playwrights Horizons, London’s Hackney Empire, Los Angeles’s Royce Hall, Minneapolis’s Guthrie Theater, Chicago’s Steppenwolf Theatre, the Sydney Opera House, Boston’s American Repertory Theatre, Stockholm’s Sodra Theatern, the Spoleto Festival, San Francisco’s Curran theater and MOMA, and literally hundreds of other theaters, museums, music halls, opera houses, cabarets, and festivals around the globe. Judy is the author of seventeen full-length plays and performance pieces including A 24-Decade History of Popular Music (2017 Pulitzer Prize Finalist for Drama, Kennedy Prize in Drama), Hir (placed on the top ten theater of 2015 lists of The New York Times, New York Magazine, and Time Out NY; published by North Western University Press and in American Theater Magazine), The Lily’s Revenge (Obie Award), The Walk Across America for Mother Earth (named One of the Best Plays of 2011 by The New York Times), The Young Ladies Of (Chicago’s Jeff Award nomination for best solo), Red Tide Blooming (Ethyl Eichelberger Award), and The Be(a)st of Taylor Mac (Edinburgh Festival’s Herald Angel Award). Recent acting roles include Shen Teh/Shui Ta in The Foundry Theater’s production of Good Person of Szechwan at La Mama and the Public Theater (for which judy received Lucille Lortel and Drama League Award nominations), Puck/Egeus in the Classic Stage Company’s A Midsummer’s Night Dream, the title role in various productions of judy’s play, The Lily’s Revenge, and opposite Mandy Patinkin in the two-man vaudeville, The Last Two People On Earth, directed by Susan Stroman. Mac is currently creating a Dionysia Festival of four original plays (to be premiered separately and eventually performed in repertory), which deal in some way with our cultural polarization and that include: an all-ages play called, The Fre (commissioned by the Children’s Theater Company in Minneapolis, premiere date TBD); a kitchen-sink tragedy named, Hir (which received its world premiere at the Magic Theater in Feb 2014); a dance-theater play, The Bourgeois Oligarch, and a music theatre debate regarding small and large government, set inside an Ezra Pound poem, in the subconscious of Clarence Thomas, during a Supreme Court Hearing. Mac is the recipient of multiple awards including the Edward M. Kennedy Prize for Drama Inspired by American History, Doris Duke Performing Artist Award, a Guggenheim Award, the Herb Alpert Award in Theater, the Peter Zeisler Memorial Award, the Helen Merrill Playwriting Award and an Obie. An alumnus of New Dramatists judy is currently a New York Theater Workshop Usual Suspect and the Resident playwright at the Here Arts Center.
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